Apartment Therapy Design Evenings at ABC Carpet are a bright spot in the design scene here – the incandescent lighting flowing through the oversized glasses of wine, the luxurious mishmash of couches and chairs, and a packed room of enthusiastic design and decor citizens smiling in their camaraderie.

It couldn’t be more fun, more lively. But as I looked around, I wondered, what exactly is this scene?
Coming from Europe where there’s a massive design presence to here where there are so many lovers of beauty and talented creative minds of every ilk, I’ve starting to see a distinction between Europe and Asia’s definition of design – the beautiful and functional and functionally beautiful object - and what design is in the U.S.
First, just to get it out of the way, yes there is the design awareness made possible by Steve Jobs and Apple Computers. There’s Fast Company’s championing of design thinking and design in business. But for the lovers of design festivals and design schools, furniture design, and manufacturing, the individual maker and craftsman, there is a big empty silence filled only by ICFF and it’s satellite shows.
New York is largely about Decor and Shelter. It’s Design Sponge and Etsy. Pinterest mood boards and Decor 8. It’s decorating tips and DIY. It’s interior design and real estate lust.
I love decor. I do. I mean where else are you going to put your design but within some sort of decor? Decor can be very practical and personal at the same time. Hey, even I found myself doing a DIY project for the first time and I’m pretty proud of it.
See? Here it is.
From this

To This

I found an old ugly beat up nightstand on the street and went out and bought some white high gloss paint, a bottle of Mod Podge, some paper from Paper Presentation and found endless how-to sites to make sure I didn’t screw the whole thing up.
Pretty cool, right?
But I’m not a designer. I would never call myself that. So there you go. You’ve got design and you have decor. America is about decor.
I really enjoyed what Maxwell, the founder of Apartment Therapy had to say when I asked about the state of American design (which meant where the hell is American design?) because it was clear that he cares about design as much as I do. He told me that it’s hard to nurture design here because manufacturing has left America. I told him about my experience in Europe and he said “yeah, Europe’s ahead of us.” So in our haste to automate and simplify everything, to sell everything and consume everything, to consolidate everything and to watch the bottom line on everything, we forgot about design. Not good. And honestly, not very modern. I think all of this DIY activity is just another sign of how desperately we need design leadership. It’s not just about dressing things up but making things that are truly beautiful, thoughtful and reflective. Right now, the design landscape is practical and commercial, not gutsy. It doesn’t marry inventiveness and innovation with reality. Design can be the perfect summation of right and left brain and, at the risk of sounding lofty, hope for the future. It’s a visual manifestation of spirit, intelligence, and hope. In other words, design is more than a gorgeous bedspread with eclectic throw pillows.
The last Apartment Therapy talk I attended was a few weeks back. It was with the very popular and very personable Deborah Needleman, the founding editor of Domino magazine who has gone on to start a beautiful style magazine at the Wall Street Journal. I was a subscriber of Domino. In fact, it was the very last magazine I subscribed to before moving to Paris at the end of 2006. Domino was so pretty and useful and collectible where nothing else really was. I was tired of the stuffy celebraphotog-generated nonsense, the Vogues and Visionnaires. I was tired of being talked down to and dictated to. Domino was different. It wasn’t ‘design’ but it was great. She herself admitted that while she loves the practical application of decor – she’s coming out with a book about making your home ‘cozy’ – she ‘doesn’t know anything about design’. It’s hard to wrap my head around but I think ultimately I know what she means. I just hope the dialogue will open up and decor-lovers will also start to see just what design is and how much value it has.
Just imagine, a New York with a design scene as robust as London.. Heaven!
(It looks like our company Show Love may be doing some yet-to-be-announced work with the American Design Club led by the effervescent designer and design advocate Kiel Mead so more excitement to come!)

-Chauncey Zalkin
links:
Apartment Therapy
Decor 8
Etsy
Design Sponge
Pinterest
Saturday • February 25, 2012 • by Chauncey Zalkin
Category: 3D Printing, Architecture, Blog, Cities, Clay, Copper Wire, Deborah Needleman, Disciplines, Embroidery, Essays, Fabric, Furniture, Glass, ICFF, Interior Design, Leather, Lighting, Materials, Metal, New York, Plastic, Polyamide, Porcelain, Product Design, Resin, Schools, silicone, Sugar, Surface Design, Sustainable, Tablewear, Textiles, U.S., Wood, Wool
House of Hackney makes fashion look short-sighted; Why stop at your body, when you can just swathe your whole bedroom in unadulterated loveliness? Frieda Gormley and partner Javvy M Royle create the world I want to live in.




Sunday • February 5, 2012 • by Chauncey Zalkin
Category: Fabric, Frieda Gormley, Interior Design, London Design Festival, Surface Design, Textiles, U.K.

The new Donna Wilson “Bertha” chair which debuted at Maison Objet last week from SCP. You can see a lot of Donna Wilson’s work at Future Perfect in the Noho store (NYC).

The maker of the drink-klip, a metal clip that attaches to a surface to hold a drink which I first discovered when I met her at LDF 09, debuted a new series of wallpaper, a commanding (if not entirely comfortable looking ) chair and tableware made from Hanji (traditional Korean handmade paper) at Maison Objet this past week as well. Her name is Been Kim and she was selected as a Next Generation Design Leader of the year by the Korea Industrial Design Promotion in 2006 and in 2009. The collection is called Meeet.

And according to Maison Objet, one of the biggest best design shows on the calendar, and definitively Parisian for better or worse, this is the season of the Sweet Freak. Out with the serious and stressed vibe of the past, in with the nutso crazy. (When did the nutso crazy ever leave France?)
In other news, Moss, that old institution of design retail in New York, is closing. It may be the end of an era in design in New York but hopefully it’s a chance to usher in something new – a city where design environments with a sense of whimsy and warmth can thrive. Moss was a bit too musn’t-touch-it for the immersive hybrid retail of the future.
& let me leave you with Clouds rug by Elise Fouin of Chevelier Edition

Links:
Chevalier Edition (Paris)
Designers Block (London)
Future Perfect (New York)
SCP (London)
Beeen (Korea)
Tuesday • January 31, 2012 • by Chauncey Zalkin
Category: Been Kim, Blog, Cities, Design Mix, Donna Wilson, Elise Fouin, Exhibits, France, Friday Diary, Furniture, Korea, Maison Objet, New York, Surface Design, U.K.
For all price ranges and passions (the full post on Tythe.com)
1. COOKING
Epicurean Designer Cutting Boards Though this Duluth, Minnesota run company …

2. HELPING
Nomi Bags Nomi network produces recycled bags that fight human trafficking.

3. INDEPENDENT DESIGNERS
I’ve always loved the spunk of Junk Prints owner / designer Chanel Kennebrew.

4. GLOBAL DESIGN CULTURE
Yoshii Shirt Stripe Towels – Towels have a strong significance in Japan.

5. CRAFTSMANSHIP
Stacking Vessels by Pia Wustenberg – As I see it, design is art and worth the price to celebrate the human ability to transform materials for use in our everyday lives.

-Chauncey Zalkin
Sunday • December 18, 2011 • by Chauncey Zalkin
Category: Blog, Entrepreneurs, Fashion, Germany, Glass, Japan, New York, Pia Wustenberg, Product Design, Sunday Discovery, Surface Design, Sustainable, Textiles, U.K., U.S., Wood
One thing leads to another. When you are a designer in Barcelona, you usually have your hands in many pots — it’s a free-flowing creative place if there ever was one, and seemingly not dictated by the market. The feeling in the air is of childlike innocence. There are no restrictions and design is a virtue — so it’s not surprising to see Julia Pelletier’s site listing her projects as including everything from costumes for Madame Butterfly to the curation of an illustrated book festival at La Central bookshop in Raval. I’ve also been getting her email updates for months about craft workshops she puts on for children there.
But what I want to share with you today is her wallpaper and the wall coverings of other fashion designers at a Barcelona company called Tres Tintas .I’ve been interested in the European market for wall coverings for some time.
The first to burst onto the scene were wall decals that were sophisticated and minimalist which I brought back to New York from Paris in 2006 for friends. But as things go, they multiplied and degraded becoming ubiquitous in Paris and all over Europe. The statement was so bold that it got relegated to a cheap ‘trendy’ mass market decor solution pretty fast. Too many candelabras, flitting birds, bold flowers, borders of grass, and trompe l’oeil statues and bookshelves can put you off the style.
But innovative wall treatments as a category have endless possibilities. One of my favorite companies also has one of my favorite websites, Surface View out of the UK where you can see blinds, murals, and wall coverings behind various rooms but they rely on databank’s of images for the website offering and the more niche custom work is done offline. Also on Tres Tintas is the work of Catalan designer Mriam Ocariz whose flowers are truly remarkable.
-Chauncey Zalkin
Thursday • July 23, 2009 • by Chauncey Zalkin
Category: Barcelona, Blog, Mriam Ocariz, Sunday Discovery, Surface Design
Hello! Claudia Brown and I make up the Portland-based surface design studio Pattern People. We opened up shop fairly recently after many wonderful years working in-house for clients. We’re paying a visit to What Women Make (formerly Girl on the street) to share a list of a few of our favorite influential women in the arts –– from painting, film, nature and textile design.
Here goes…
The artist, Vanessa Bell, is considered to be one of the major contributo
rs to British portrait drawing and landscape art in the 2Oth Century. She was a member of the Bloomsbury Group, along with her sister, Virginia Woolf, and also a part of the Omega Workshops established by Roger Fry in 1913. The Omega Workshops produced painted accessories for the home, such as lamps and furniture, in addition to decorating walls and textiles. Her home, the Charleston Farmhouse in Sussex, is an inspirational example of her work and the other members of the workshop. A short trip from London, the Farmhouse is worth a visit to experience the art in its original environment.
If you haven’t seen the work of Lotte Reiniger, add it to your list immediately. Originally from Germany, Lotte is a silhouette animator who gained recognition in the 1920s for her expressive and imaginative moving cutouts set against color backdrops. Her film, The Adventures of Prince Achmed, is claimed to be the oldest surviving animation of all times. Her delicate craft has inspired many and appears to have influenced the work of modern day artist, Kara Walker.
Nature is a constant source of inspiration. One of our favorite gardens is Lotusland in Montecito, California, which includes a variety of exceptional plants. Opera singer, Madame Ganna
Walska, who owned the property from 1941 until her death in 1984, created the 37-acre botanic garden. Madame Walska had a colorful history that included marrying six times. She bought the estate while married to her last husband. After divorcing him, she christened her estate, Lotusland, named after the lotus growing in one of the ponds on the property. She spent the next 40 years transforming her grounds into a fantasy world of botanical wonders.
A British fashion superstar, Zandra Rhodes, has been creating amazing hand drawn textile patterns since she graduated from the Royal College of Art back in the 60s. Each season she selects an interesting theme as her inspiration. A few collections have been based on her travels to the Grand Canyon, Mexico, Japan and Australia – each incorporating elements specific to the region. Still a practicing designer, Zandra has recently launched a handbags line in addition to her eponymous clothing label.
Demonstrating ingenuity and strength in their fields, each of these women continues to inspire – a true testament to their originality and creative genius.
Thanks Chauncey for letting us guest blog! To read more about influential designers, visit here.
-Jessie Whipple Vickery
Tuesday • March 25, 2008 • by Chauncey Zalkin
Category: Blog, Claudia Brown, Graphic Design, Interviews, Jessie Whipple Vickery, Kara Walker, Lotte Reiniger, Portland, Surface Design, Vanessa Bell, Zandra Rhodes
coding and setup by Fedmich