Apartment Therapy Design Evenings at ABC Carpet are a bright spot in the design scene here – the incandescent lighting flowing through the oversized glasses of wine, the luxurious mishmash of couches and chairs, and a packed room of enthusiastic design and decor citizens smiling in their camaraderie.
It couldn’t be more fun, more lively. But as I looked around, I wondered, what exactly is this scene?
Coming from Europe where there’s a massive design presence to here where there are so many lovers of beauty and talented creative minds of every ilk, I’ve starting to see a distinction between Europe and Asia’s definition of design – the beautiful and functional and functionally beautiful object - and what design is in the U.S.
First, just to get it out of the way, yes there is the design awareness made possible by Steve Jobs and Apple Computers. There’s Fast Company’s championing of design thinking and design in business. But for the lovers of design festivals and design schools, furniture design, and manufacturing, the individual maker and craftsman, there is a big empty silence filled only by ICFF and it’s satellite shows.
New York is largely about Decor and Shelter. It’s Design Sponge and Etsy. Pinterest mood boards and Decor 8. It’s decorating tips and DIY. It’s interior design and real estate lust.
I love decor. I do. I mean where else are you going to put your design but within some sort of decor? Decor can be very practical and personal at the same time. Hey, even I found myself doing a DIY project for the first time and I’m pretty proud of it.
See? Here it is.
From this
To This
I found an old ugly beat up nightstand on the street and went out and bought some white high gloss paint, a bottle of Mod Podge, some paper from Paper Presentation and found endless how-to sites to make sure I didn’t screw the whole thing up.
Pretty cool, right?
But I’m not a designer. I would never call myself that. So there you go. You’ve got design and you have decor. America is about decor.
I really enjoyed what Maxwell, the founder of Apartment Therapy had to say when I asked about the state of American design (which meant where the hell is American design?) because it was clear that he cares about design as much as I do. He told me that it’s hard to nurture design here because manufacturing has left America. I told him about my experience in Europe and he said “yeah, Europe’s ahead of us.” So in our haste to automate and simplify everything, to sell everything and consume everything, to consolidate everything and to watch the bottom line on everything, we forgot about design. Not good. And honestly, not very modern. I think all of this DIY activity is just another sign of how desperately we need design leadership. It’s not just about dressing things up but making things that are truly beautiful, thoughtful and reflective. Right now, the design landscape is practical and commercial, not gutsy. It doesn’t marry inventiveness and innovation with reality. Design can be the perfect summation of right and left brain and, at the risk of sounding lofty, hope for the future. It’s a visual manifestation of spirit, intelligence, and hope. In other words, design is more than a gorgeous bedspread with eclectic throw pillows.
The last Apartment Therapy talk I attended was a few weeks back. It was with the very popular and very personable Deborah Needleman, the founding editor of Domino magazine who has gone on to start a beautiful style magazine at the Wall Street Journal. I was a subscriber of Domino. In fact, it was the very last magazine I subscribed to before moving to Paris at the end of 2006. Domino was so pretty and useful and collectible where nothing else really was. I was tired of the stuffy celebraphotog-generated nonsense, the Vogues and Visionnaires. I was tired of being talked down to and dictated to. Domino was different. It wasn’t ‘design’ but it was great. She herself admitted that while she loves the practical application of decor – she’s coming out with a book about making your home ‘cozy’ – she ‘doesn’t know anything about design’. It’s hard to wrap my head around but I think ultimately I know what she means. I just hope the dialogue will open up and decor-lovers will also start to see just what design is and how much value it has.
Just imagine, a New York with a design scene as robust as London.. Heaven!
(It looks like our company Show Love may be doing some yet-to-be-announced work with the American Design Club led by the effervescent designer and design advocate Kiel Mead so more excitement to come!)
Matières à réflexion in Paris is a wonderful example of the Paris atelier in the modern context, a place that combines process, discovery, craftsmanship and human interaction in a single experience. What Women Make speaks with designer Laetitia Azpiroz and partner Cyrille Raillet about their work and their philosophy.
A Show Love production. Show Love is a brand new social content service for lovable companies. Learn what we mean by lovable companies and our approach to content in our press release post and see more of our work at www.showloveworld.com
Don’t forget to visit www.matieresareflexion.com to see other bags and accessories and view their most recent collection.
Helene Steiner was born in 1987 in St. Poelten, Austria. In her young life, she’s had such a wide range of experience from studying under Frog Design’s Hartmut Essliner at the University for Applied Arts (Vienna) to attending the Bauhaus-University (Weimar) to her original coursework at Design University (Saint Poelten). Helene’s also a natural problem solver, an aesthete that find answers. From her “bag affairs” laptop bag for bikes, to her sink top “Colo” dishwasher, to the Polyp (above) she blends a futuristic sensibility with an ingenious merging of form and function.
Some of her primary interests in her work include: intuition, the vanishing barrier between work and leisure, ecology, social affairs, the economy, exploring and advancing new technologies, the necessary moral boundaries of automation, and a fidelity to what she calls ‘realism’ that is infused throughout her work.
MORE FROM HELENE
COLO SINK
Colo Sink
designed by: Helene SteinerDescription of item: Colo is a dishwashing concept that reduces dishwashing to its essence. It merges the dishwasher with the sink. It consists of trays that are used as storage rack for carrying and as a main component of the dishwasher. To do the dishes, just put the tray in the sink and lower the cover. When the dishes are done, simply place the tray with the clean dishes on the wall. No need to sort the dishes. For Inquiries, contact us.
COLO DRAIN
Colo Drain
designed by: Helene Steiner
Material: - Description of item: Colo is a dishwashing concept that reduces dishwashing to its essence. It merges the dishwasher with the sink. It consists of trays that are used as storage rack for carrying and as a main component of the dishwasher. To do the dishes, just put the tray in the sink and lower the cover. When the dishes are done, simply place the tray with the clean dishes on the wall. No need to sort the dishes.
Material: - Description of item: Colo is a dishwashing concept that reduces dishwashing to its essence. It merges the dishwasher with the sink. It consists of trays that are used as storage rack for carrying and as a main component of the dishwasher. To do the dishes, just put the tray in the sink and lower the cover. When the dishes are done, simply place the tray with the clean dishes on the wall. No need to sort the dishes.
designed by: Helene SteinerMaterial: Leather, Aluminium, PE Description of item: Bagaffair is the bag we always complain we can't find anywhere. It protects your laptop from dirt and getting bumped about while hiding your most prized possession in shady places (like the train station) and it hitches a ride on the back of your bike like a charm. It's a chameleon and a jack-of-all-trades. It even carries your important large format papers in a neat roll and has a slide-out mouse pad. Not yet in production. For Inquiries, contact us
BAG AFFAIRS – more image
Bag Affairs
designed by: Helene Steiner
Material: Leather, Aluminium, PE Description of item: Bagaffair is the bag we always complain we can't find anywhere. It protects your laptop from dirt and getting bumped about while hiding your most prized possession in shady places (like the train station) and it hitches a ride on the back of your bike like a charm. It's a chameleon and a jack-of-all-trades. It even carries your important large format papers in a neat roll and has a slide-out mouse pad. Not yet in production.
Material: Leather, Aluminium, PE Description of item: Bagaffair is the bag we always complain we can't find anywhere. It protects your laptop from dirt and getting bumped about while hiding your most prized possession in shady places (like the train station) and it hitches a ride on the back of your bike like a charm. It's a chameleon and a jack-of-all-trades. It even carries your important large format papers in a neat roll and has a slide-out mouse pad. Not yet in production.
wwm: What inspired you to create these great wall pods? HS: The inspiration for the wall pods was the dirty clothing lying all over my flat and the everyday living objects we have around us that look so ugly you have to hide them when you have a visitor.
wwm: Approximately how many, let’s say, tee shirts would fit in one polyp? HS: I’m not sure. I will have to test that out and tell you when we get to London but it fits a 5kg load of wash.
wwm:Do you use them at home? HS: Yes, but a very early version of the polyp. I use the grandfather of the finished baskets.
wwm: What room would they go best in? HS: I see the polyp in the corridor of a flat for a family or a communal residence. If many people live in the flat you need a central position for the baskets, but if you live in a single flat or you live as a couple I see it in the bedroom or in the bathroom.
wwm:Name three of your favorite storage solution products that you’ve found? HS: 1. I love the storage solutions of workshops. They’re made for really doing and working, and fit the need perfectly. 2. My trouser pockets. 3. The skin of a banana.
wwm:What would the Helene Steiner home of the future look like? HS: The future will reveal itself I suppose, but i think it will be simple, informal and cozy.
HELENE’S STORE-Y
Helene Steiner discusses her work leading up to the What Women Make ~Women in Design 1st ed.~ exhibit at the London Design Festival showing at Designerblock September 23-26, The Bargehouse, Oxo Tower
I just got back from the back alleys of Kyoto where I met wonderful people and got a chance to take an inside look on some of the best and most ancient craftsmanship the world has to offer.
A family-run dye workshop that does all the hand dying for Issey Miyake. They use natural root vegetables, charcoal, coffee, and various indigenous plants, layering color on pre-worn and original fabrics to varied effect. He also employs ancient fabric cutting techniques mixing new technology with the ancient craft used for centuries. We sweat and fanned ourselves in a Kyoto workshop tucked away in one of the many back roads of Kyoto among rows of wood and clay houses. His daughter presided over boiling blue dye and his son’s voice could be heard from the back room. He told us his wife was also an artist. The reed thin, passionate, and kindly man took treated us as though we were the most important people in the world. We sipped iced coffee and poured over his portfolio books of sketches, fabric samples, ink drawings as the fan whirred offering us moments of cool air before oscillating around the room again. (In America, this would never happen. The person would be so protective of his work fearing imitation.)
A young cobbler trained in ancient techniques with a store and workshop in a leafy residential neighborhood. He hand stitches an updated version of the Geta shoe (the thong slippers Geisha wear with socks, usually made of wood with blocks at the heel and toe to raise the height). His are a layering of visible structural materials on leather. I bought a pair he had in the workshop already. He makes only 30 pair a month because of the time it takes to cut the leather, to dye it with vegetable dyes, and to hand stitch the shoe.
Tale of the Genji scrolls by Yamaguchi (a story originally written by a woman, Murasaki Shikibu 1000 A.D.)
I love Japan. I can’t stop thinking about it. It’s like a love affair you can’t forget and you are sure you will be right back. Well, maybe I won’t be right back – instead I’m headed to the Normandy coast and then probably London waiting for my next project to start. But I’ll be back. More on Japan later.