From Japan, living in Berlin, Naoko Ogawa, creator of “gathering jewelry”

A different kind of jewelry designer, Naoko makes jewelry for your clothing. She decorates by changing the shape of shirts, shoes and shins – some of the more overlooked sculptural materials of our day to day selves.  What drew me to her was her work with soft metals where the wearer can change the shape of a garments with a simple squeeze. Naoko’s “gathering” pieces create new draping, a new visual focal point.

She is from Japan and lives and works in Berlin.

Here’s the interview which I’ve edited for the language but only slightly.

Where were you born?

In a small town.  Odawara, in Kanagawa prefecture near Tokyo. I lived there until I was 18. Then I left to go to Tama Art University and Tokyo National University of Fine Arts and Music both in Tokyo.

Where do you work now?

Berlin.

How did the place you grew up influence your design?

the view from Naoko's studio

As a child, I was surrounded by woods and I spent a lot of time playing alone in nature. My favorite game was to play ‘treasure hunt.’ I’d gather small shiny things, a fragment of broken glass, a part of a broken buckle or vivid colored leaves and nuts, and show them to my family. It brought me great pleasure that my found treasures surprised them and made them happy. I wanted to expand on that experience and make something as beautiful as those found treasures.  When I was five years old, I created my first piece of jewelry with acorns and thread. I’ve been making jewelry ever since.

Another way my town was an influence was that it inspired me to be different.  My hometown was small and the people were conservative. They were not accepting of strangers or heterogeneity. Our family moved there from another town and it took time to acclimate. I liked the place, but didn’t like the group mentality. My reaction to this was to embrace being unique.

Talk about the materials you use.  How did you come to use moldable metals in your “Gathering Jewelry” the pieces in particular that drew me to your work?

I majored in traditional Japanese metal crafts (metal hammer and curving works) in art school. I studied the properties of various metals. When you expose metals to too much heat, they become soft enough to manipulate into shapes. You have to watch out for metal fatigue though. Too much heat can break your material but I use aluminum plate for the Gathering Jewelry. Aluminum is soft and light, has strong plasticity, and can tolerate being manipulated over and over again.

What is your design philosophy?

I look for an element of surprise and to create joy, the jewel of life. I consider jewelry to be indispensable for a happy life – it’s like spices are to food.

Do you participate in any other art form? If so, what? (writing, fine arts, dance, etc)

No.

Any other female designers that you’d like our readers to check out?

Yuka Oyama &  Susan Pietzsch (2).  They are Artists, and their art is also jewelry. They have own unique opinions about jewelry, and are trying to create the “next” context for jewelry, evolve the meaning of jewelry.

Any comments on being a female designer? Is it tough for a woman or do you find it to be quite neutral?

Thank you for your interests in my work. I don’t think that it’s tough being a female designer at all. Men have their own angle. Women have their own angle.

Naoko Naoko Ogawa

You can see the rest of her work here.

Monday • August 17, 2009 • by Chauncey Zalkin

Category: Berlin, Blog, Interviews, Japan, Jewelry, Naoko Ogawa, Tama Art University, Tokyo Nat'l U Fine Arts Music, Yuka Oyama