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Prescription: Design Therapy

Apartment Therapy Design Evenings at ABC Carpet are a bright spot in the design scene here – the incandescent lighting flowing through the oversized glasses of wine, the luxurious mishmash of couches and chairs, and a packed room of enthusiastic design and decor citizens smiling in their camaraderie.

It couldn’t be more fun, more lively. But as I looked around, I wondered, what exactly is this scene?

Coming from Europe where there’s a massive design presence to here where there are so many lovers of beauty and talented creative minds of every ilk, I’ve starting to see a distinction between Europe and Asia’s definition of design – the beautiful and functional and functionally beautiful object  - and what design is in the U.S.

First, just to get it out of the way, yes there is the design awareness made possible by Steve Jobs and Apple Computers. There’s Fast Company’s championing of design thinking and design in business. But for the lovers of design festivals and design schools, furniture design, and manufacturing, the individual maker and craftsman, there is a big empty silence filled only by ICFF and it’s satellite shows.

New York is largely about Decor and Shelter. It’s Design Sponge and Etsy. Pinterest mood boards and Decor 8. It’s decorating tips and DIY. It’s interior design and real estate lust.

I love decor. I do. I mean where else are you going to put your design but within some sort of decor? Decor can be very practical and personal at the same time. Hey, even I found myself doing a DIY project for the first time and I’m pretty proud of it.

See? Here it is.

From this

To This

I found an old ugly beat up nightstand on the street and went out and bought some white high gloss paint, a bottle of Mod Podge, some paper from Paper Presentation and found endless how-to sites to make sure I didn’t screw the whole thing up.

Pretty cool, right?

But I’m not a designer. I would never call myself that. So there you go. You’ve got design and you have decor. America is about decor.

I really enjoyed what Maxwell, the founder of Apartment Therapy had to say when I asked about the state of American design (which meant where the hell is American design?) because it was clear that he cares about design as much as I do. He told me that it’s hard to nurture design here because manufacturing has left America. I told him about my experience in Europe and he said “yeah, Europe’s ahead of us.” So in our haste to automate and simplify everything, to sell everything and consume everything, to consolidate everything and to watch the bottom line on everything, we forgot about design. Not good. And honestly, not very modern. I think all of this DIY activity is just another sign of how desperately we need design leadership. It’s not just about dressing things up but making things that are truly beautiful, thoughtful and reflective. Right now, the design landscape is practical and commercial, not gutsy. It doesn’t marry inventiveness and innovation with reality. Design can be the perfect summation of right and left brain and, at the risk of sounding lofty, hope for the future. It’s a visual manifestation of spirit, intelligence, and hope. In other words, design is more than a gorgeous bedspread with eclectic throw pillows.

The last Apartment Therapy talk I attended was a few weeks back. It was with the very popular and very personable Deborah Needleman, the founding editor of Domino magazine who has gone on to start a beautiful style magazine at the Wall Street Journal. I was a subscriber of Domino. In fact, it was the very last magazine I subscribed to before moving to Paris at the end of 2006. Domino was so pretty and useful and collectible where nothing else really was. I was tired of the stuffy celebraphotog-generated nonsense, the Vogues and Visionnaires. I was tired of being talked down to and dictated to. Domino was different. It wasn’t ‘design’ but it was great. She herself admitted that while she loves the practical application of decor – she’s coming out with a book about making your home ‘cozy’ – she ‘doesn’t know anything about design’. It’s hard to wrap my head around but I think ultimately I know what she means. I just hope the dialogue will open up and decor-lovers will also start to see just what design is and how much value it has.

Just imagine, a New York with a design scene as robust as London.. Heaven!

(It looks like our company Show Love may be doing some yet-to-be-announced work with the American Design Club led by the effervescent designer and design advocate Kiel Mead so more excitement to come!)

-Chauncey Zalkin

links:

Apartment Therapy
Decor 8
Etsy
Design Sponge
Pinterest

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Friday Diary: Contemplating Spaces in Denmark

CONTEMPLATING SPACES OF THE FUTURE IN A SEASIDE TOWN IN DENMARK

“How does the Good Life look today?…Traditional family structures, urban structures and life modes are being challenged by new kinds of technology and communication as well as increased mobility. The exhibition LIVING focuses on architecture’s partnerships with human sciences like anthropology and sociology. These softer, less quantifiable sciences come to expression in the exhibition through crossovers between architectural projects and art installations and glimpses of current ‘case stories’ from various parts of the world where social development has created new dwelling styles.

Via Dwell

May 13–October 02

Louisiana Museum of Modern Art, Gl. Strandvej 13, Humlebæk, Denmark 3050

 

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Screen shot 2011-05-25 at 4.09.37 PM

Hadid’s Mobile Pavilion – Rounded Edges that Chaff

When Zaha Hadid’s Mobile Art Pavilion finally parked after it’s world tour at the Institut du Monde Arabe in Paris, I wasn’t going to miss seeing the thing. After leaving the pavilion, my husband asked, is it legitimate to have an exhibit of an architecture firm put on by said architecture firm? (Is it?) Without being organized by a third party, doesn’t it lack the curatorial perspective that makes it a cultural / art exhibit? It’s really just ‘outdoor’ (outdoor advertising) at that point.

Once inside, the feeling was like embarking on trip to Tomorrowland at Disneyworld, a bit chintzy, and no rollercoasters waiting just a monorail ride away. Intellectually, I was engaged by the explanation of new paradigms for building highrises that change the way forms relate to one another and the urban environment but they were touted as organic. I get it; the sinewy undulating shapes are amoebic, imitative of cellular life – but they definitely do not feel earthy but instead alienating, sinister, even menacing. Not a future I want to cozy up to.

Below are pictures by my photographer husband of the outside structure, then a picture of Ms. Hadid by my photographer friend Michael Sharkey, and then two of my own. What do you think? Are you a fan of Hadid’s vision?

See the rest at Peter Crosby Photography

Zaha Hadid at the Moore's Building, Miami 2008. Photo Credit - Michael Sharkey

And a few more by me..

 

 

 

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Sustainability Initiative New Frontiers Launches in Manchester, England

Rachel Amstrong

Dr. Rachel Armstrong is a Senior TED Fellow working on building a living building, she’s also a teaching fellow at the Bartlett School of Architecture and a science fiction author.

Tuba Kocatürk wrote Virtual Futures for Design, Construction and Procurement.

Leonora Oppenheim focuses on turning information into conversation in public spaces with her company, Elio Studio.

The founding team also includes: Lorna Walker, Dr. Vicky Lofthouse, Angharad Thomas, Dr. Angela Lee, Beth Perry, Linda Relph Knight, and Rachel Cooper – editor at Design Journal, author of The Design Experience. All of them are supremely intelligent beings and highly contributive to the initiative for a more sustainable world. New Frontiers should be an exciting new addition to the sustainability playing field, headquartered in Manchester (as they point out, home of the first industrial revolution) and with the support of NGOs, Universities, and some of the world’s best thinkers in support of the endeavour.

The brainchild of futurologist and design scientist Melissa Sterry and developed in partnership with environmental scientist Matt Prescott, New Frontiers is working with leading universities, professional institutions, NGOs, government agencies and pioneering global brands to embed a strong understanding of sustainability; form new collaborations; and promote the best innovation for this new and fast-moving sector.

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What Five Japanese Women Make

Ever since I took on my first Japanese client and traveled to Kyoto with her, I’ve fallen in love with Japan like many before me.  I was reluctant to present Japanese makers so soon because when I start in on Japan, its an Alice in Wonderland rabbit hole.   Time freezes and all my other work is left undone.  But I took the risk because I happened to find a small gem of a design graduate,  Naoko Ogawa,  and so off I had to go. I limited myself to two days to find a few more Japanese women, all in the name of a regional focus. And here they are, three Japanese designers and then the interview with Naoko-san which I’ll create for Wednesday’s post so stay tuned!

EmikoOki

Emiko Oki

Emiko Oki

Based in London, born in Tokyo
Emiko-san uses each part of a place setting to form a trophy, her comment on what she calls a “fairly useless object” which is “masculine and sports related” rendering it “feminine, fragile, and functional.”

Trophy

Until August 23rd, you can see her work at the Museum of Art and Design in New York as part of an exhibit entitled Object Factory.

Then there’s Rie Isono and her firm Pear Design Studio. She worked for Sony before going off on her own. Here are two products of note, the elegant toothbrush holder and the skin-like fruit basket where the contents give it a unique shape every time you fill it:

Pear Design elegant toothbrush holder

Pear Design skin-like fruit basket

More traditionally Japanese are Hina Aaoyamas intricate paper art cut-outs that she hand cuts!  The zen patience of a saint. Makes me dizzy to watch it. So beautiful and delicate like couture clothing. She lives in France and has a permanent exhibit at the Museum of Miniatures in Lyon.

And I wanted to include the genius of Kazuyo Sejima the architect who makes up half of Sanaa with her protégé and partner Ryue Nishizawa. They are responsible for, in addition to this years summer pavilion in London, Tokyo’s Dior building  and “Toledo Museum of Art’s Glass Pavilion, which stunned critics for being perhaps the world’s first genuinely transparent museum — both external and internal walls are made of glass.” –Japan Times

And last, they’re not women, but noteworthy indeed.  They fall under the category of “Men We Love” which obviously could be its own website.  Check out the whimsy and inventiveness of Kyouei Design - from their oozy liquid bookmark to their aluminum mesh chair and  gravity defying wine carafe.

Kazuyo Sejima

-Chauncey Zalkin

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