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From her artist statement: “Using the labor intensive technique of double-cloth weaving.. (Stacie) commemorates (her) disappearing (‘hastily typed’) thoughts and feelings” of the digital age.
Warning: The words in these pieces pack a wallop. Her pain is palpable but so is her discipline, artistry, skill, and most of all, courage.
This is an exhibit I attended back in January but it sat in my iphoto until I finally dredged it out to post this.
“Going to therapy in New York is about as expensive as dinner at Cipriani. I think I’ll start wearing a cocktail dress to my sessions.”
“Time went on I started noticing the weight loss then I had to ask him was he riding th white horse at first he said no then he said yes.”
Apartment Therapy Design Evenings at ABC Carpet are a bright spot in the design scene here – the incandescent lighting flowing through the oversized glasses of wine, the luxurious mishmash of couches and chairs, and a packed room of enthusiastic design and decor citizens smiling in their camaraderie.
It couldn’t be more fun, more lively. But as I looked around, I wondered, what exactly is this scene?
Coming from Europe where there’s a massive design presence to here where there are so many lovers of beauty and talented creative minds of every ilk, I’ve starting to see a distinction between Europe and Asia’s definition of design – the beautiful and functional and functionally beautiful object - and what design is in the U.S.
First, just to get it out of the way, yes there is the design awareness made possible by Steve Jobs and Apple Computers. There’s Fast Company’s championing of design thinking and design in business. But for the lovers of design festivals and design schools, furniture design, and manufacturing, the individual maker and craftsman, there is a big empty silence filled only by ICFF and it’s satellite shows.
New York is largely about Decor and Shelter. It’s Design Sponge and Etsy. Pinterest mood boards and Decor 8. It’s decorating tips and DIY. It’s interior design and real estate lust.
I love decor. I do. I mean where else are you going to put your design but within some sort of decor? Decor can be very practical and personal at the same time. Hey, even I found myself doing a DIY project for the first time and I’m pretty proud of it.
See? Here it is.
From this
To This
I found an old ugly beat up nightstand on the street and went out and bought some white high gloss paint, a bottle of Mod Podge, some paper from Paper Presentation and found endless how-to sites to make sure I didn’t screw the whole thing up.
Pretty cool, right?
But I’m not a designer. I would never call myself that. So there you go. You’ve got design and you have decor. America is about decor.
I really enjoyed what Maxwell, the founder of Apartment Therapy had to say when I asked about the state of American design (which meant where the hell is American design?) because it was clear that he cares about design as much as I do. He told me that it’s hard to nurture design here because manufacturing has left America. I told him about my experience in Europe and he said “yeah, Europe’s ahead of us.” So in our haste to automate and simplify everything, to sell everything and consume everything, to consolidate everything and to watch the bottom line on everything, we forgot about design. Not good. And honestly, not very modern. I think all of this DIY activity is just another sign of how desperately we need design leadership. It’s not just about dressing things up but making things that are truly beautiful, thoughtful and reflective. Right now, the design landscape is practical and commercial, not gutsy. It doesn’t marry inventiveness and innovation with reality. Design can be the perfect summation of right and left brain and, at the risk of sounding lofty, hope for the future. It’s a visual manifestation of spirit, intelligence, and hope. In other words, design is more than a gorgeous bedspread with eclectic throw pillows.
The last Apartment Therapy talk I attended was a few weeks back. It was with the very popular and very personable Deborah Needleman, the founding editor of Domino magazine who has gone on to start a beautiful style magazine at the Wall Street Journal. I was a subscriber of Domino. In fact, it was the very last magazine I subscribed to before moving to Paris at the end of 2006. Domino was so pretty and useful and collectible where nothing else really was. I was tired of the stuffy celebraphotog-generated nonsense, the Vogues and Visionnaires. I was tired of being talked down to and dictated to. Domino was different. It wasn’t ‘design’ but it was great. She herself admitted that while she loves the practical application of decor – she’s coming out with a book about making your home ‘cozy’ – she ‘doesn’t know anything about design’. It’s hard to wrap my head around but I think ultimately I know what she means. I just hope the dialogue will open up and decor-lovers will also start to see just what design is and how much value it has.
Just imagine, a New York with a design scene as robust as London.. Heaven!
(It looks like our company Show Love may be doing some yet-to-be-announced work with the American Design Club led by the effervescent designer and design advocate Kiel Mead so more excitement to come!)
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Born and raised in China, Shuyu Lu is currently a textile artist-in-residence at the Harbourfront Centre Studio in Toronto. She originally came to Canada to pursue an art education at the Ontario College of Art & Design. When she arrived, she started to explore the ways Chinese character, East Asian character, has melded with western sensibilities in Canada as well as in China.
Through screen-printing and embroidery, she expresses these insights along with her nostalgia for the country she left behind. She balances craft with design while making work that is playful, even humorous. What results is something uniquely beautiful and always unexpected.
MORE FROM SHUYU
JOURNALS
Digital printed cotton cover journal book
designed by: Shuyu Lu (China)
Material: Printable cotton
Description of item: Digital printed cotton cover journal book
Description of item: Screen printed ( traditional Chinese character pattern) on commercial cotton fabric; screen printed & hand embroidery on silk organza; wooden frame.
Description of item: Screen printed ( traditional Chinese character pattern) on commercial cotton fabric; screen printed & hand embroidery on silk organza; wooden frame.
Description of item: Screen printed ( traditional Chinese character pattern) on commercial cotton fabric; screen printed & hand embroidery on silk organza; wooden frame.
wwm: How do you imagine your work displayed in a room? SL: I think they might be displayed on a shelf or on a wall that already has other art – in the sort of “gallery section” of a home. That’s how I display work in my own home. My work is all about the combination of nostalgia, pop art, East meets West, even the mess of the cultural moment, the multi-cultural world we live in. Since my work is not an abstract painting or a bronze sculpture, it doesn’t need “breathing space” between it and other work.
wwm: What are some other items that seem to fit with your motif? SL: Vintage toys! Also Chinese, Eastern and Western old posters, and propaganda. I get a lot of inspiration from these kinds of posters, so it would make more sense shown together.
wwm: What are some of your favorite things displayed at your house? SL: I purchase a first edition print from 1967 of Chairman Mao propaganda from a souvenir store in Toronto’s Chinatown. Now it hangs on my living room’s wall and it is one of my favorite things in my collection. It’s not about the politics – I just fell in love with the graphic design, the color (red, cream, and black) and a sense of reminiscence. It’s kind of funny that I found it in Toronto; it would be hard to find in China now.
wwm: Walk us through the steps you take in creating a new collection. SL: I finished school last year, so I’ve had two series of work so far. They are all made from a narrative perspective expressing my feelings about cultural impact. In my new work, I will continue to develop this concept. I like to bring the old and the traditional into contemporary pieces, meanwhile showing where the Western & Eastern elements melt together – their melting point.
wwm: What do you imagine a person who buys your work to be like? SL: A person who has a little child inside of him or her. A happy person but a bit sentimental.
wwm: Do you have a favorite artist or writer? A designer who works in a different material? Who are they? SL: I have a long list of my favorite artists and designers! The most inspired one is Zhang Xiaogang – the Chinese contemporary artist. He was born in 1958 and was influenced by a period of cultural revolution during his youth. His surrealist paintings are a perfect reflection of the period. It conjures the depressive atmosphere of the time. Dorie Millerson’s needlepoint is also a favorite. Most of her work is tiny and deals with memory, nostalgia, defining home and identity. The lace work brings her memories and moments of attachment to life with their delicate shapes. A person who has a little child inside of him or her. A happy person but a bit sentimental.