Designer: SHUYU LU
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Born and raised in China, Shuyu Lu is currently a textile artist-in-residence at the Harbourfront Centre Studio in Toronto. She originally came to Canada to pursue an art education at the Ontario College of Art & Design. When she arrived, she started to explore the ways Chinese character, East Asian character, has melded with western sensibilities in Canada as well as in China.
Through screen-printing and embroidery, she expresses these insights along with her nostalgia for the country she left behind. She balances craft with design while making work that is playful, even humorous. What results is something uniquely beautiful and always unexpected.
MORE FROM SHUYU
THE INTERVIEW
wwm: How do you imagine your work displayed in a room?
SL: I think they might be displayed on a shelf or on a wall that already has other art – in the sort of “gallery section” of a home. That’s how I display work in my own home. My work is all about the combination of nostalgia, pop art, East meets West, even the mess of the cultural moment, the multi-cultural world we live in. Since my work is not an abstract painting or a bronze sculpture, it doesn’t need “breathing space” between it and other work.
wwm: What are some other items that seem to fit with your motif?
SL: Vintage toys! Also Chinese, Eastern and Western old posters, and propaganda. I get a lot of inspiration from these kinds of posters, so it would make more sense shown together.
wwm: What are some of your favorite things displayed at your house?
SL: I purchase a first edition print from 1967 of Chairman Mao propaganda from a souvenir store in Toronto’s Chinatown. Now it hangs on my living room’s wall and it is one of my favorite things in my collection. It’s not about the politics – I just fell in love with the graphic design, the color (red, cream, and black) and a sense of reminiscence. It’s kind of funny that I found it in Toronto; it would be hard to find in China now.
wwm: Walk us through the steps you take in creating a new collection.
SL: I finished school last year, so I’ve had two series of work so far. They are all made from a narrative perspective expressing my feelings about cultural impact. In my new work, I will continue to develop this concept. I like to bring the old and the traditional into contemporary pieces, meanwhile showing where the Western & Eastern elements melt together – their melting point.
wwm: What do you imagine a person who buys your work to be like?
SL: A person who has a little child inside of him or her. A happy person but a bit sentimental.
wwm: Do you have a favorite artist or writer? A designer who works in a different material? Who are they?
SL: I have a long list of my favorite artists and designers! The most inspired one is Zhang Xiaogang – the Chinese contemporary artist. He was born in 1958 and was influenced by a period of cultural revolution during his youth. His surrealist paintings are a perfect reflection of the period. It conjures the depressive atmosphere of the time. Dorie Millerson’s needlepoint is also a favorite. Most of her work is tiny and deals with memory, nostalgia, defining home and identity. The lace work brings her memories and moments of attachment to life with their delicate shapes. A person who has a little child inside of him or her. A happy person but a bit sentimental.
Artists of the Decade – Women Just in Front of Our Eyes
I was happy to see that the New York Times Emerging Artists of the Decade list started with two women, Rineke Dijkstra (Netherlands) and Jessica Jackson Hutchins (US), both of whom I am unfamiliar with, so I decided to look at more of their work. One of the articles that featured Hutchin’s work had the slug, “patience is the new ambition.” I love that. It most certainly has been for me.
And then as I kept clicking I saw they listed Dana Schutz (US) and video artists, Tamy Ben-Tor (Israel) and Nathalie Djurberg (Sweden). Also Klara Liden (Sweden), Ellen Altfest (NY), Huma Bhabha (Pakistan), Cao Fei (China) , Misaki Kawai (Japan), Mary Reid Kelly (US), and Josephine Halvorson (US). How many female artists is that?
Then I decided to google ‘artists of the decade’. I looked at the Village Voice’s which were said to be the results of an informal art crowd survey. In that list arose Tacita Dean (UK) who then popped up everywhere else, Isa Genzken (Germany), also oft-mentioned, and Rachel Harrison (NY), Julie Mehretu (Ethiopia), Mary Heilmann (San Francisco), and the most famous of the lot, Cindy Sherman.
Heavy.com’s list, coming from a more street art oriented site, names Faiza Butt (Pakistan), Jean Shin (South Korea), and Swoon. The Guardian adds Maria Lassnig (Austria) and Janet Cardiff (Canada) in their 6 image slide show of art of the decade.
In 2010, the Whitney Biennial will, for the first time, be comprised by a majority of women artists. When New York magazine writer, Jerry Saltz, asked curator Gary Carrion-Murayari why he said, “I didn’t look for women artists. They were just in front of our eyes.”
Happy New Year.
Chauncey

Get Out of My Dreams. Faiza Butt.

"a skinny Polish girl in a lime-green bathing suit confronts the camera with a heartbreaking blend of awkwardness and studied nonchalance. Standing at the ocean's edge, she tilts her head and slips unconsciously into a classical contrapposto pose. -Metropolitan Museum website" Kolobrzeg, Poland, 1992 by Rineke Dijkstra.

Maria Lassnig. You or Me. 2008.

I find this funny, but somehow ridiculing of men, a bit humiliating, which makes it uncomfortable, which makes it funny. The Butt by Ellen Altfest. Oil on canvas.

I thought of Wyeth then discovered I'm not alone in the comparison. Tumbleweed by Ellen Altfest.

Cao Fei explores "perception and reality in places as diverse as a Chinese factory and the virtual world of Second Life. - PBS"

The artist Misaki Kawai pictured with her friend artist Kei Morita

Mary Heilmann, quoted on the Whitney website as saying “I just think that in the midst of all the digital stuff, people sort of crave seeing something that’s still and quiet and on the wall.” Mary Heilmann. Surfing on Acid. 2005.
the Momenta Art site says: “Huma Bhabha culls her sculptures from the archives of science fiction. Like a shadow of Rodin that has fallen into the gutter and reassembled itself with discarded material, Bhabha morphs mineral to vegetable to animal."

Armed. Jean Shin. 2005-9.
P.S. The London Times heralds a future belonging to female entrepreneurs in their article Meet the Lipstick Entrepreneurs, a terribly anachronistic name for women but nonetheless worth a read.
2 CommentsTalk about an Inspiration – Two to start the week
picture of Ma ke from Victoria & Albert collection
1
Eva Zeisel
Eva Zeisel turns 103. Thank you to Haute*Nature for bringing this working woman’s birthday to our attention and for posting her TED Talk which I hadn’t seen.
Eva is a fully decorated *design revolutionary and **lifetime achiever (*New York Magazine, **Cooper Hewitt) and then some.
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I had my students read this article about socially useless companies, a descriptor I like even better than ‘socially responsible’ which is already a buzz word that has been bandied into meaninglessness. Instead of thinking about how you might,as a company ‘do your part’, the idea of social uselessness makes you consider whether you should be in business in the first place. I personally have a fantasy of wiping the corporate slate clean with all new business models instead of watching the old geezers limp along like the wounded brittle giants they are so the word ‘useless’ struck me as did Ma ke’s work, found on Design Boom:
Ma ke
This fashion designer from China, who spoke at the ICOGRADA Beijing World Design Congress 09, writes Design Boom, “confronted by the local clothing industry with its cheap, homogenizing mass-production and poorly paid workers… and by a fashion scene lacking local aesthetic influence and dominated by foreign labels… dedicated herself to developing her ‘useless’ (‘wu yong’ translates to ‘useless’) ideas.” (ideas of uselessness). The results are breathtaking. She’s doing what nobody I know of in China is doing, communicating the roots of Chinese design and tradition. I want more.
Here is a link to a review of a documentary, also called Useless about her work and Chinese factory conditions made by Jia Zhangke.
Photos by Zhou Mi.
-C Zalkin
2 CommentsCategories
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