Top Picks: Women in Design at the Milan Furniture Fair 2012
Even in a crisis that is only getting worse in Europe, the Salone del Mobile (Milan Furniture Fair), the mother of all international design shows, attracted 331,649, visitors this year (just to the actual venue, trend seekers sometimes skip much of it and focus on offsite shows).
Kokeshi by A+A Cooren for Vertigo Bird
Inspired by the Japanese traditional wooden toy. I met Aki Cooren last year in Milan and loved the simple glowing pieces, understated but delightful, and have been following her and her husband’s work ever since.

This is them:
See more on my Pinterest including Marni, Mermelada (Barcelona), Emma Elizabeth, Anieke Branderhorst, Ella Doran, Carole Baijings, Mieke Meijer, and more.
0 CommentsHighlights from Milan Design Week 2011- Soaking in the Sunshine at Rossana Orlandi

(I didn't take this picture but I love it. The only pictures that are mine in this piece are the ones of Nika's work and Botanica)
With her signature oversized glasses and wrapped in cocoon like layers, Rossana Orlandi floats like a style apparition through the laid back crowd as the sun shines through the fauna in the courtyard at the eponymous Spazio Rossana Orlandi. All week this destination gallery has been the de facto oasis for the weary design crowd looking for respite, a place to mingle and have a glass of wine or beer and a plate of light fare (all proceeds dedicated to charity.)
Among the design eye candy in the courtyard stands an installation by design duo James Plumb (James Russell and Hannah Plumb) whose dusty elegance first caught my eye at Tent London 2009. A stage was outfitted with a bed backed by faded disintegrating fabric, a table split in two around a grandfather clock, and simple worn shelves stacked with old suitcases. It looked like a scene from Terrence Malik’s 1978 classic, Days of Heaven set in the early part of the last century in frontier America. The designers themselves completed the tableau.

Another highlight from the three floors of gallery space were the Sé collection with designer Jaime Hayon which reminded me of the first three seasons of Mad Men yet wholly modern with a color palette ranging from white to blue-grey to gold and a balance of decidedly contemporary lines and shapes mixed in with mushroom cloud modernism. (I first reported on this collection for BecauseLondon.com by Tank Magazine.)

Upstairs on the other side, Nika Zupanc’s installation for Selfridges included an Alice in Wonderland like wardrobe made to look like an oversized accordion file.
Everything was fantastic room by room but the diversity of her vision can be seen downstairs at Studio Formafantasma’s “Botanica”, a meditation on the evolution of polymers in our lives, objects “designed as if the oil-based era in which we are living never took place,” beautiful amber vessels, lamps, and boxes that look to contain a botanist’s collection of discoveries in the forest. The exhibit reflects on a time when we were first discovering and experimenting with plasticity using derivatives from plants and other organic materials. To read more, go to www.formafantasma.com.
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Highlights from Milan Design Week 2011: Baccarat
In the La Brera design district during Milan Design Week, Baccarat housed an exhibit of star designers who lent their vision to this beacon of iconic elegance and fractured light. The shifting soundscapes and the cascading rooms were like a beautiful haunted house, shadows on the wall conjuring dreams instead of nightmares.
The first lamp pictured is called Sora created by award-winning Kyoto born designer and craftsperson Eriko Horiki. She applies her skills and love of traditional Japanese Washi paper to her Senritsu (meaning melody or shiver) lantern in an east meets west glowing orb.
The second is a highly conceptual candelabra chandelier by Phillippe Starck called the “Marie Coquine” which is topped by an umbrella and ends in a wooden handle. The structure itself rests on a tripod on wheels balanced by way of a punching bag. Not your run-of-the-mill construction. In the backdrop in this room, you could hear the sound of rain and thunder in the near darkness.

Marie Coquine by Phillippe Starck for Baccarat (Photo Credit: Chauncey Zalkin, What Women Make 2011)
In the third, shadows on the wall undulate like diamonds in a cave. These are the lamps of whimsical Italian designer Michele de Lucchi who through his long career where night has been his inspiration has designed for Memphis, Artemide, Olivetti, Deutsch Bank, Mandarina Duck and others.

at Baccarat, Milan 2011: Sfera - Michele de Lucchi - 'like diamonds' - (photo credit: Chauncey Zalkin, What Women Make 2011)
The light forest at the end imbued with the soft sound of crickets is the Jardin de Cristal by Yann Kersalé, a French lighting designer who has lent his hand to projects as diverse as Museé Quai Branley to the Lyon Opera House to Barcelona’s Agbar Tower, as well as countless other prestigious buildings around the world from Japan to Quatar.
Other designers creating for Baccarat in the exhibit but not pictured here were Jaime Hayon, Arik Levy, Alain Moatti, and Henri Rivière.
- by Chauncey Zalkin, founder What Women Make, first published on BecauseLondon.com, the new website by Tank Magazine.
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