Women Of Particular Interest This Week – From Portland to New York to Egypt to Sundance

via decor8blog.com ‘ Woman in Portland loses job, converts double decker bus into fabu vintage shop.’

via mediabistro – the description of Tracy Reese’s coming Fashion Week Presentation. Something about a scarf-cape and rich metallic hues. I just came from Zara where cheap flimsy crapola abounds but I did like the copper bronzey dusty leather sateen madmax meets elegance that they’re copying from some zeitgeist somewhere else. This sounds like the kind of thing I imagined it could all be pointing toward. Like you’re wearing a brass sculpture turned to liquid.

 

Women in Egypt — From a video of the ‘Bravest Girl in Egypt’ leading a kick-ass call and response chant showing she’s not afraid, to a call to arms from a 26 year old daring men to join them in the streets, this is a great round-up of the impact women are having there. What’s really been driven home for me is how condescending western women (and men) are about women in predominantly Muslim countries. We think because a woman on the other side of the world wears a head scarf or burka that they are not strong, that we are stronger. What a mistake. We can not impose our interpretation of them on them. We don’t have the vantage point. You know what else we don’t have? Humility. It’s not in our culture to be humble. Especially Americans. Looking at these women really solidifies the point. These women putting honor first are a force to be reckoned with. There are countless examples in the Middle East and all over the Muslim world of this kind of soul-strong intelligence and raw guts.

Sundance is over and I was scouting around for news about how the women-folk fared. Pretty good it turns out but of course it’s still a struggle. Cathy Schulman, the new president of Women In Film (and producer of one of my favorite films, Crash) was quoted in The New York Times as saying that women have to think about both ‘show’ and ‘business’ – not just make intelligent risk-taking smart films but also make movies that are commercially viable, more of a sure thing at the box office.

Schulman’s making a good point in a lot of obvious ways – but it also reminds me of women of the eighties in their ‘power suits’. Maybe we can change what is commercially viable by our contribution, not just mold ourselves to fit what’s selling. it’s a positive side effect of our harder battle that for the most part, women and minorities can’t just coast their way to the top without bothering to notice that what we’re making is vacuous. We are conscious of our struggle upward which is our blessing as it is our curse. Because we have to work that much harder, we put that much more of ourselves into our projects and the creative choices we make. We want to do our best work, make the most of our shot out there because it is harder to come by. Instead of resorting to formula, I do believe we can make audiences stretch and come to good work.

Women and men who make work that is innovative, contributive, new, valuable can instead hire better marketers to draw the public in and make them feel welcome in new territory. The marketing methodology has to be more adroitly executed and commensurate with the work. I wrote a novel and I’m struggling like hell to write a simple synopsis. My book, I am certain, has the makings of a commercial success but it is also literary fiction and it is non formulaic and more discursive than a straight narrative story. There is nothing tried and true – so the trick is in making the marketing hook simple and enticing enough to get readers in the door – and then before they know it, they are being challenged and enlightened and treated to something they’ve never seen or heard before without ever knowing what hit them. The marketing has to be as scintillating as the piece without over-burdening the recipient with every nook and cranny before they’ve committed. At the same time, we need a voice like Schulman’s to tell us to think from a wider angle lens; perhaps consider doing the commercial with flair and the nuanced with full-throttle personal conviction.

Have a great weekend.

Chauncey

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Pattern People: A Surface Design Duo share their passion

picture-36.pngHello! Claudia Brown and I make up the Portland-based surface design studio Pattern People. We opened up shop fairly recently after many wonderful years working in-house for clients. We’re paying a visit to What Women Make (formerly Girl on the street) to share a list of a few of our favorite influential women in the arts –– from painting, film, nature and textile design.

Here goes…

The artist, Vanessa Bell, is considered to be one of the major contributoVanessa Bellrs to British portrait drawing and landscape art in the 2Oth Century. She was a member of the Bloomsbury Group, along with her sister, Virginia Woolf, and also a part of the Omega Workshops established by Roger Fry in 1913. The Omega Workshops produced painted accessories for the home, such as lamps and furniture, in addition to decorating walls and textiles. Her home, the Charleston Farmhouse in Sussex, is an inspirational example of her work and the other members of the workshop. A short trip from London, the Farmhouse is worth a visit to experience the art in its original environment.

Lotte ReinigerIf you haven’t seen the work of Lotte Reiniger, add it to your list immediately. Originally from Germany, Lotte is a silhouette animator who gained recognition in the 1920s for her expressive and imaginative moving cutouts set against color backdrops. Her film, The Adventures of Prince Achmed, is claimed to be the oldest surviving animation of all times. Her delicate craft has inspired many and appears to have influenced the work of modern day artist, Kara Walker.

Nature is a constant source of inspiration. One of our favorite gardens is Lotusland in Montecito, California, which includes a variety of exceptional plants. Opera singer, Madame GannaMadame Walska Walska, who owned the property from 1941 until her death in 1984, created the 37-acre botanic garden. Madame Walska had a colorful history that included marrying six times. She bought the estate while married to her last husband. After divorcing him, she christened her estate, Lotusland, named after the lotus growing in one of the ponds on the property. She spent the next 40 years transforming her grounds into a fantasy world of botanical wonders.

A British fashion superstar, Zandra Rhodes, has been creating amazing hand drawn textile patterns since she graduated from the Royal College of Art back in the 60s. Each season she selects an interesting theme as her inspiration. A few collections have been based on her travels to the Grand Canyon, Mexico, Japan and Australia – each incorporating elements specific to the region. Still a practicing designer, Zandra has recently launched a handbags line in addition to her eponymous clothing label.Zandra Rhodes

Demonstrating ingenuity and strength in their fields, each of these women continues to inspire – a true testament to their originality and creative genius.

Thanks Chauncey for letting us guest blog! To read more about influential designers, visit here.

-Jessie Whipple Vickery

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