Stacie Go Eun Baek1

Stacie Go Eun Baek: Knitting Her Heart Out

From her artist statement: “Using the labor intensive technique of double-cloth weaving.. (Stacie) commemorates (her) disappearing (‘hastily typed’) thoughts and feelings” of the digital age.

Warning: The words in these pieces pack a wallop. Her pain is palpable but so is her discipline, artistry, skill, and most of all, courage.

This is an exhibit I attended back in January but it sat in my iphoto until I finally dredged it out to post this.

“Going to therapy in New York is about as expensive as dinner at Cipriani. I think I’ll start wearing a cocktail dress to my sessions.”

“Time went on I started noticing the weight loss then I had to ask him was he riding th white horse at first he said no then he said yes.”

 

 

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Before the Thaw – Women Bursting Into Spring 1

What do these incredible critically acclaimed major visual artists or our time have in common? It’s (in order of appearance followed by image of their work) Phyllida Barlow, Nathalie Djurberg, Tacita Dean, Klara Lidén, and they make up the spring line-up at New York’s New Museum, an all-female line-up. Most importantly, it has not been overtly publicized as such.

Fence - Phyllida Barlow

Nathalie Djurberg en Hans Berg (muziek) - Snakes Knows it's Yoga

Film


- Tipped off by Art Info and my friend Amy Mendizabal.

Links – New Museum Upcoming Exhibits (New York)

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DR4for-web

Before the Thaw – Women Bursting Into Spring – Maison Objet

The new Donna Wilson “Bertha” chair which debuted at Maison Objet last week from SCP. You can see a lot of Donna Wilson’s work at Future Perfect in the Noho store (NYC).

The maker of the drink-klip, a metal clip that attaches to a surface to hold a drink which I first discovered when I met her at LDF 09, debuted a new series of wallpaper, a commanding (if not entirely comfortable looking ) chair and tableware made from Hanji (traditional Korean handmade paper) at Maison Objet this past week as well. Her name is Been Kim and she was selected as a Next Generation Design Leader of the year by the Korea Industrial Design Promotion in 2006 and in 2009. The collection is called Meeet.

And according to Maison Objet, one of the biggest best design shows on the calendar, and definitively Parisian for better or worse, this is the season of the Sweet Freak. Out with the serious and stressed vibe of the past, in with the nutso crazy. (When did the nutso crazy ever leave France?)

In other news, Moss, that old institution of design retail in New York, is closing. It may be the end of an era in design in New York but hopefully it’s a chance to usher in something new – a city where design environments with a sense of whimsy and warmth can thrive. Moss was a bit too musn’t-touch-it for the immersive hybrid retail of the future.

 

& let me leave you with Clouds rug by Elise Fouin of Chevelier Edition

 

Links:

Chevalier Edition (Paris)

Designers Block (London)

Future Perfect (New York)

SCP (London)

Beeen (Korea)

 

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ChiaraParisi

New Culture Project in Paris, This Time Led By A Woman

Chiara Parisi has been chosen to launch the first cultural program for the Monnaie de Paris with the objective of turning this gorgeous block long building along the Seine into a center “for dialogue between contemporary creation and the artistic professions.” The program and new exhibition space will launch in 2013.

Its important that Paris’ cultural institutions continue to grow and not shrink. Paris often feels stuck so this movement feels very encouraging.

There will also be a 3 star restaurant by Guy Savoy, a concept store, a garden, and the Métalcafé. Hopefully they’ll do something Merci Merci and Collette are not doing. There’s an opportunity now for a whole new approach to a concept store and maybe something that ties back to the concept of monnaie and revolutions afoot in the world of ideas about currency, maybe the fusion of cultural currency with new ideas for a monetary currency that gets us out of this mess. Let’s see what they do..

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Friday Diary: 6 Female Curators Take The Helm at South Korean Biennale Gwangju 2012

Gwangju Biennale 2012 Artistic Directors, all women.

Here’s what one of the six chosen, Carol Yinghua Lu, says on her Frieze blog. “My Asian colleagues (and I).. realized how little we actually knew about each other – much less … our Western counterparts. In an attempt to find out about our own relevance in the world, it’s also equally necessary to learn more about our immediate neighbours and our interrelationships. This issue is probably what makes the choice of six Asian curators for the next Gwangju Biennale timely and necessary. ”

The Gwangju Biennale Foundation is delighted to announce the appointment of Sunjung Kim, Mami Kataoka, Carol Yinghua Lu, Nancy Adajania, Wassan Al-Khudhairi, and Alia Swastika as Joint Artistic Directors of the 9th Gwangju Biennale 2012. For the first time, the Biennale has appointed a group of six young Asian women curators to co-direct the exhibition and program. The Gwangju Biennale Foundation has not selected Asian female curators in order to display the political, cultural, or geopolitical hegemony of Asia. Instead, through their appointment, we seek to build a platform that can embrace layers of diverse and engaging discussions in visual culture. As the oldest and most prestigious biennale of Asia, we hope to provide an opportunity to rethink and reexamine the anthropological and aesthetic positioning of Asia. Breaking away from past regional and global conflicts and the constant collision between truth and information, we propose to discover a new grammar of communication unique to the Biennale.

The Artistic Directors of 9th Gwangju Biennale are young and internationally renowned curators in Korea, China, Japan, India, South-East Asia, and the Middle East. Rather than driven by political ideology or systemic concerns, these curators will engage both the autonomous language of art and the active communication networks of civil society to produce the exhibition and audience participation programs. The Gwangju Biennale will maintain a commitment to the democratic values of social consensus and human rights long supported by the Foundation, as well as create a space for aesthetic discourse.

• Sunjung Kim is a Seoul-based independent curator and Professor at the Korea National University of Arts. From 1993 to 2004, Kim was the Chief Curator at Artsonje Center in Seoul. In 2005, she was the commissioner of the Korean Pavilion at the 51st Venice Biennale. The first festival, titled “Somewhere in Time,” was followed by “Tomorrow” (2007), “I have nothing to say and I am saying it” (2008), “Platform in KIMUSA: Void of Memory” (2009) and “Projected Image” (2010). Most recently, Kim was the Artistic Director of the 6th Seoul International Media Art Biennale – Media City Seoul 2010.

• Mami Kataoka is a curator and writer and has been the Chief Curator of the Mori Art Museum, Tokyo, Japan, since 2003. From 2007–2009, Kataoka joined the curatorial team at the Hayward Gallery in London as the first international curator. During her tenure at the Mori Art Museum, Kataoka has curated a number of exhibitions, including “Ozawa Tsuyoshi: Answer with Yes and No!” (2004), “All About Laughter: Humor in Contemporary Art” (2006), “Ai Weiwei: According to What?” (2009) and most recently “Sensing Nature: Perception of Nature in Japan” (2010).

• Carol Yinghua Lu is a curator and writer who lives and works in Beijing. She is a contributing editor for Frieze and co-founder and co-editor of Contemporary Art & Investment magazine. She writes frequently for international art journals and magazines including e-flux journal, The Exhibitionist, Yishu, and Tate. Her texts on contemporary art have also appeared in many art catalogues, books, publications, and critical readers. From 2005–2007, she was the China researcher for Asia Art Archive. From 2009–2010, she was the founder and Art Director of SUITCASE ART PROJECTS, a project space of Today Art Museum

• Nancy Adajania is a cultural theorist, art critic and independent curator, based in Bombay. She was educated in Politics, Social Communications Media, and Film. She has written and lectured extensively on extended sculpture, new media, public art and transcultural art practice (including at Documenta 11, Kassel; ZKM, Karlsruhe; Transmediale, Berlin; Lottringer 13, Munich; Neuer Berliner Kunstverein, Berlin; Kuenstlerhaus Wien, Vienna; Kunsthalle Wien, Vienna; Gulbenkian Foundation, Lisbon; Soma Museum, Korea; Wuerttembergische Kunstverein, Stuttgart; The Danish Contemporary Art Foundation, Copenhagen; and BAK, Utrecht). Adajania was Editor-in-Chief of Art India magazine.

• Wassan Al-Khudhairi is the director of Mathaf: Arab Museum of Modern Art, since 2010, responsible for developing the newly established institution and managing the development of its new building. She also oversees policy development, acquisitions and collections registration. As a curator, she specializes in modern and contemporary art from the Arab world, with a particular emphasis on Iraq. She is of Iraqi origin and has lived in Kuwait, Saudi Arabia, Egypt, the U.K. and the U.S., where she worked at the High Museum of Art in Atlanta and the Brooklyn Museum of Art in New York.

• Alia Swasticka is a curator, project manager, and writer based in Jakarta. From 2002–2004, Swasktika worked as Associate Editor for SURAT newsletter, published by the Cemeti Art Foundation, which led to her curatorial debut at the Cemeti Art House, where she worked as an Artistic Manager from 2004–2009. In the meantime, she joined staff exchange programme in UfaFabrik, Berlin, Germany with a grant from Asia Europe Foundation (ASEF), and the same program funded by Kelola Foundation and Asian Cultural Council. Since 2008, she has been working for Ark Galerie in Jakarta and has recently been appointed as a curator of the upcoming Jogja Biennale XI in November.

100% via e-flux

 

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Friday Diary: Photographic Window on the World Along The Seine

Françoise Huguier will direct the 3rd annual Photoquai exhibition showcasing non-European photographers’ work alone the Seine.

Sept 13, 2011 – November 11, 2011
Paris, France

“400 works by 46 contemporary photographers from 29 countries: South Africa, Congo, Ethiopia, Nigeria, Tanzania, Togo, Morocco, Tunisia, Bahrain, Iraq, Belarus, Russia, China, South Korea, India, Japan, Taiwan, Cuba, Cambodia, Laos, Malaysia, Indonesia, Singapore, Thailand, Australia, New Zealand, Chile, Colombia, Brazil” will line the Seine.

“Photoquai 2011 is a voyage through the clamour of the world, stimulated by photographers’ perceptions of the state of their societies and of cultures other than their own. For us, they act as watchmen, guards, preventing us from falling asleep.”

Francoise is a world traveler, photographer, filmmaker and curator with great passion for Africa. Her work seems to spans genre, place, medium, all arresting images and themes offering rare access to cultural specificity around the world.

Though this exhibit is not about Huguier, the more you journey, the riches become apparent. Here are some of her photographs, the mind behind this year’s Photoquai exhibit:

Above from her documentary Kommunalka about Russian communal living.

Les Trois Grâces – Women in Paris preparing for a show

Japanese Baths

From her collection, Singapore Don’t Move about Singapore’s middle class

and more here

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Sunday Discovery: Central Saint Martins Textile Futures 10th Anniversary Video

Carole Collet created the textile futures course at the famed Central Saint Martins School. The course celebrated its 10th anniversary with two exhibits, one in London earlier this summer and another during Milan Design Week in April.

Highlights from the show as seen in this video include using air as a material, exploring the manipulation of DNA to produce products and how that will effect manufacturing in the future, digital skins (which needs more explanation) and a plea to come back to our physical senses, the importance of touch.

One student describes her work as a biological atelier – the mutual explorations of the scientist, the designer, and the craftsman a theme to which all projects seem tied. All of the work explores the tension between past and future, lo-tech and high-tech, explains Collet.

You will notice that the voices represent a breadth of nationalities. Beautiful provocative stuff.

video via Jotta

 

Central Saint Martins Textile Futures Students / Exhibitors

The Designers

 

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Mastori*Motwary Studio

Friday Diary: Prints! Exhibit Belgium

Prints! Motifs in Costume & Fashion History (1750-2000)

Design inspiration fanatics, color lovers, and pattern princesses (okay, that’s a bad one), if you’re anywhere near Belgium between now and January 8, 2012, power down your laptops and raise your eyes from your iphone as you head over to the Mode Museum Hasselt for some historical inspiration – prints and patterns of all kinds.

Why this is interesting / augments what you already know:

  • Illustrates different phases in the life of notable motifs
  • Looks at socio-economic changes
  • Looks at technological innovation
  • Examines relationship between fashion and applied arts, in particular interiors.
  • From European prints to Indian chintzes
  • Highlights historical printing methods such as block printing and cylinder printing
  • Designers shown include Hermès, Emilio Pucci, Versace, Marimekko, Leonard, Dries Van Noten, Jean-Paul Gaultier, Jean Charles de Castelbajac and more

Mode Museum Hasselt

From website: “Varieties of motifs often reflect the collective taste and Zeitgeist of a certain period. Printing textile is also a complex industrial process and as such depended on innovation, mechanization, research and technological progress.”

Mode Museum Hasselt

You might also like our recent post highlighting favorite prints from Spoonflower, the online community for designers offering on-demand custom printed fabric. And check out guest bloggers, the duo known as “Pattern People” who discuss their historical inspirations as well as Argentinian graphic designer Laura Varsky’s prints and patterns. Also some picks from Katja Behre of Elli Popp wallpaper and textiles discussed here.

Also look at our other Friday Diary late summer / last chance exhibits and events:
1> Tracey Emin, London
2> The Int’l Gift Fair, New York
3> Contemplating Spaces of the Future, Denmark

Lead Image: Mastori*Motwary Studio. Images 2/3 courtesy of Mode Museum Hasselt (in order): Tim van Steenbergen AW 2011-2012, catwalk models from Lanvin SS11.
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